Outfoxed: Rupert Murdoch’s War on Journalism, Robert Greenwald, 2004

Outfoxed: Rupert Murdoch’s War on Journalism, Robert Greenwald

Outfoxed: Rupert Murdoch’s War on Journalism [2004, 78 minutes] is a 2004 documentary film by filmmaker Robert Greenwald that criticises the Fox News Channel, and its owner, Rupert Murdoch, claiming that the channel is used to promote and advocate right-wing views. The film says this pervasive bias contradicts the channel’s claim of being “Fair and Balanced”.

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The Logic of Torture: Abu Ghraib

Mark Danner, The Logic of Torture. The New York Review of Books, 24 June 2004. The second of two articles. (The first of the two articles is here.) “Behind the exotic brutality so painstakingly recorded in Abu Ghraib, and the multiple tangled plotlines that will be teased out in the coming weeks and months about responsibility, knowledge, and culpability, lies a simple truth, well known but not yet publicly admitted in Washington: that since the attacks of September 11, 2001, officials of the United States, at various locations around the world, from Bagram in Afghanistan to Guantanamo in Cuba to Abu Ghraib in Iraq, have been torturing prisoners. They did this, in the felicitous phrasing of General Taguba’s report, in order to “exploit [them] for actionable intelligence” and they did it, insofar as this is possible, with the institutional approval of the United States government, complete with memoranda from the President’s counsel and officially promulgated decisions, in the case of Afghanistan and Guantanamo, about the nonapplicability of the Geneva Conventions and, in the case of Iraq, about at least three different sets of interrogation policies, two of them modeled on earlier practice in Afghanistan and Cuba.”

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Torture and Truth: The Taguba Report and the Report of the International Committee of the Red Cross (ICRC)

Mark Danner, Torture and Truth. The New York Review of Books, 10 June 2004. The first of two articles. (The second of the two articles is here.) “Abu Ghraib contained within its walls last fall [2003]—as the war heated up and American soldiers, desperate for “actionable intelligence,” spent many an autumn evening swooping down on Iraqi homes, kicking in doors, and carrying away hooded prisoners into the night—well over eight thousand Iraqis. Could it be that “between 70 percent and 90 percent” of them were “arrested by mistake”? And if so, which of the naked, twisted bodies that television viewers and news paper readers around the world have been gazing at these last weeks were among them? Perhaps the seven bodies piled up in that great coil, buttocks and genitals exposed to the camera? Or the bodies bound one against another on the cellblock floor? Or the body up against the bars, clenched before the teeth of barking police dogs?”

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Fahrenheit 9/11, Michael Moore, 2004

Fahrenheit 9/11, Michael Moore

One of the most controversial and provocative films of the year, Fahrenheit 9/11 [2004, 122 minutes] is Academy Award-winning filmmaker Michael Moore’s searing examination of the Bush administration’s actions in the wake of the tragic events of 9/11. With his characteristic humor and dogged commitment to uncovering the facts, Moore considers the presidency of George W. Bush and where it has led us. He looks at how – and why – Bush and his inner circle avoided pursuing the Saudi connection to 9/11, despite the fact that 15 of the 19 hijackers were Saudis and Saudi money had funded Al Qaeda. Fahrenheit 9/11 shows us a nation kept in constant fear by FBI alerts and lulled into accepting a piece of legislation, the USA Patriot Act, that infringes on basic civil rights. It is in this atmosphere of confusion, suspicion and dread that the Bush Administration makes its headlong rush towards war in Iraq – and Fahrenheit 9/11 takes us inside that war to tell the stories we haven’t heard, illustrating the awful human cost to U.S. soldiers and their families.

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Torture at Abu Ghraib: [US] soldiers brutalized Iraqis. How far up does the responsibility go?

Seymour Hersh, Torture at Abu Ghraib. The New Yorker, 10 May 2004. “A fifty-three-page report, obtained by The New Yorker, written by Major General Antonio M. Taguba and not meant for public release, was completed in late February [2004]. Its conclusions about the institutional failures of the Army prison system [at Abu Ghraib] were devastating. Specifically, Taguba found that between October and December of 2003 there were numerous instances of “sadistic, blatant, and wanton criminal abuses” at Abu Ghraib. This systematic and illegal abuse of detainees, Taguba reported, was perpetrated by soldiers of the 372nd Military Police Company, and also by members of the American intelligence community….”

Excerpts from story:

Taguba’s report listed some of the wrongdoing: Breaking chemical lights and pouring the phosphoric liquid on detainees; pouring cold water on naked detainees; beating detainees with a broom handle and a chair; threatening male detainees with rape; allowing a military police guard to stitch the wound of a detainee who was injured after being slammed against the wall in his cell; sodomizing a detainee with a chemical light and perhaps a broom stick, and using military working dogs to frighten and intimidate detainees with threats of attack, and in one instance actually biting a detainee.There was stunning evidence to support the allegations, Taguba added—“detailed witness statements and the discovery of extremely graphic photographic evidence.” Photographs and videos taken by the soldiers as the abuses were happening were not included in his report, Taguba said, because of their “extremely sensitive nature.”…

As the international furor grew, senior military officers, and President Bush, insisted that the actions of a few did not reflect the conduct of the military as a whole. Taguba’s report, however, amounts to an unsparing study of collective wrongdoing and the failure of Army leadership at the highest levels. The picture he draws of Abu Ghraib is one in which Army regulations and the Geneva conventions were routinely violated, and in which much of the day-to-day management of the prisoners was abdicated to Army military-intelligence units and civilian contract employees. Interrogating prisoners and getting intelligence, including by intimidation and torture, was the priority…

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The Corporation, Mark Achbar, Jennifer Abbott, and Joel Bakan, 2003

The Corporation, Mark Achbar, Jennifer Abbott, and Joel Bakan

Provoking, witty, stylish and sweepingly informative, THE CORPORATION [2003, 145 minutes] explores the nature and spectacular rise of the dominant institution of our time. Part film and part movement, The Corporation is transforming audiences and dazzling critics with its insightful and compelling analysis. Taking its status as a legal “person” to the logical conclusion, the film puts the corporation on the psychiatrist’s couch to ask “What kind of person is it?” The Corporation includes interviews with 40 corporate insiders and critics – including Noam Chomsky, Naomi Klein, Milton Friedman, Howard Zinn, Vandana Shiva and Michael Moore – plus true confessions, case studies and strategies for change.

Along with the groundbreaking 145-minute theatrical version of the film, the two-disc DVD has eight hours of never-before-seen footage. In addition to two commentary tracks, deleted scenes, and Q’s-and-A’s, 165 new clips and updates are sorted “by person” and “by topic.” Get the details you want to know on the issues you care about. Then, check out the web links for follow-up research and action.

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A People’s History of the United States, Howard Zinn, 4 February 2003

A People’s History of the United States, Howard Zinn, 2003

“It’s a wonderful, splendid book—a book that should be read by every American, student or otherwise, who wants to understand his country, its true history, and its hope for the future.” —Howard Fast, author of Spartacus and The Immigrants

“[It] should be required reading.” —Eric Foner, New York Times Book Review

Library Journal calls Howard Zinn’s iconic A People’s History of the United States “a brilliant and moving history of the American people from the point of view of those…whose plight has been largely omitted from most histories.” Packed with vivid details and telling quotations, Zinn’s award-winning classic continues to revolutionize the way American history is taught and remembered. Frequent appearances in popular media such as The SopranosThe SimpsonsGood Will Hunting, and the History Channel documentary The People Speak testify to Zinn’s ability to bridge the generation gap with enduring insights into the birth, development, and destiny of the nation.

Bill Bigelow, “A People’s History, A People’s Pedagogy,” Zinn Education Project.

Democracy Now!, “Shows Featuring Howard Zinn.”

Bob Herbert, “A Radical Treasure.” The New York Times. 30 January 2010.

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Bowling for Columbine, Michael Moore, 2002

Bowling for Columbine, Michael Moore

“Bowling for Columbine” [2002, 119 minutes] is an alternately humourous and horrifying film about the United States. It is a film about the state of the Union, about the violent soul of America. Why do 11,000 people die in America each year at the hands of gun violence? The talking heads yelling from every TV camera blame everything from Satan to video games. But are we that much different from many other countries? What sets us apart? How have we become both the master and victim of such enormous amounts of violence? This is not a film about gun control. It is a film about the fearful heart and soul of the United States, and the 280 million Americans lucky enough to have the right to a constitutionally protected Uzi.

“Bowling for Columbine” was the first documentary film accepted into competition at the Cannes Film Festival in 46 years. The Cannes jury unanimously awarded it the 55th Anniversary Prize. From a look at the Columbine High School security camera tapes to the home of Oscar-winning NRA President Charlton Heston, from a young man who makes homemade napalm with The Anarchist’s Cookbook to the murder of a six-year-old girl by another six-year-old, “Bowling for Columbine” is a journey through America, and through our past, hoping to discover why our pursuit of happiness is so riddled with violence.

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Muckraking!: The Journalism That Changed America, edited by Judith and William Serrin, 1 June 2002

Muckraking!: The Journalism That Changed America, edited by Judith and William Serrin, 2002

In collecting the kind of reportage that all too rarely appears in this age of media triviality and corporate conglomeration,Muckraking! documents an alternative journalistic tradition, one marked by depth of vision, passion for change, and bravery. From the Stamp Act to the abolition movement to the Vietnam War, from the fight against patent medicines to the elimination of labor spies, from the integration of baseball to the safety of government atomic workers, and from putting people in jail to getting them out, this book illustrates the great journalism that has made America a better country.

With more than 125 entries that range across three centuries,Muckraking! brings together the greatest moments of American journalism. Supplying historical context and critical commentary, the book also includes a selection of influential photographs and illustrations. By turns compelling and shocking, Muckraking! is an anthology for anyone who feels passionate about the heights that journalism can climb or its ability to illuminate the darkest depths.

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Lives of the Saints: the Mormon Church is struggling with a troubled legacy

Lawrence Wright, Lives of the Saints. The New Yorker, 21 January 2002. “At a time when Mormonism is booming, the Church is struggling with a troubled legacy.”

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