Torture and Truth: America, Abu Ghraib and the War on Terror, Mark Danner, 31 October 2004

Torture and Truth: America, Abu Ghraib and the War on Terror, Mark Danner

Mark Danner, Torture and TruthIncludes the torture photographs in color and the full texts of the secret administration memos on torture and the investigative reports on the abuses at Abu Ghraib.

In the spring of 2004, graphic photographs of Iraqi prisoners being tortured by American soldiers in Baghdad’s Abu Ghraib prison flashed around the world, provoking outraged debate. Did they depict the rogue behavior of “a few bad apples”? Or did they in fact reveal that the US government had decided to use brutal tactics in the “war on terror”?

The images are shocking, but they do not tell the whole story. The abuses at Abu Ghraib were not isolated incidents but the result of a chain of deliberate decisions and failures of command. To understand how “Hooded Man” and “Leashed Man” could have happened, Mark Danner turns to the documents that are collected for the first time in this book.

These documents include secret government memos, some never before published, that portray a fierce argument within the Bush administration over whether al-Qaeda and Taliban prisoners were protected by the Geneva Conventions and how far the US could go in interrogating them. There are also official reports on abuses at Abu Ghraib by the International Committee of the Red Cross, by US Army investigators, and by an independent panel chaired by former defense secretary James R. Schlesinger. In sifting this evidence, Danner traces the path by which harsh methods of interrogation approved for suspected terrorists in Afghanistan and Guantanamo “migrated” to Iraq as resistance to the US occupation grew and US casualties mounted.

Yet as Mark Danner writes, the real scandal here is political: it “is not about revelation or disclosure but about the failure, once wrongdoing is disclosed, of politicians, officials, the press, and, ultimately, citizens to act.” For once we know the story the photos and documents tell, we are left with the questions they pose for our democratic society: Does fighting a “new kind of war” on terror justify torture? Who will we hold responsible for deciding to pursue such a policy, and what will be the moral and political costs to the country?

Outfoxed: Rupert Murdoch’s War on Journalism, Robert Greenwald, 2004

Outfoxed: Rupert Murdoch’s War on Journalism, Robert Greenwald

Outfoxed: Rupert Murdoch’s War on Journalism [2004, 78 minutes] is a 2004 documentary film by filmmaker Robert Greenwald that criticises the Fox News Channel, and its owner, Rupert Murdoch, claiming that the channel is used to promote and advocate right-wing views. The film says this pervasive bias contradicts the channel’s claim of being “Fair and Balanced”.

Fahrenheit 9/11, Michael Moore, 2004

Fahrenheit 9/11, Michael Moore

One of the most controversial and provocative films of the year, Fahrenheit 9/11 [2004, 122 minutes] is Academy Award-winning filmmaker Michael Moore’s searing examination of the Bush administration’s actions in the wake of the tragic events of 9/11. With his characteristic humor and dogged commitment to uncovering the facts, Moore considers the presidency of George W. Bush and where it has led us. He looks at how – and why – Bush and his inner circle avoided pursuing the Saudi connection to 9/11, despite the fact that 15 of the 19 hijackers were Saudis and Saudi money had funded Al Qaeda. Fahrenheit 9/11 shows us a nation kept in constant fear by FBI alerts and lulled into accepting a piece of legislation, the USA Patriot Act, that infringes on basic civil rights. It is in this atmosphere of confusion, suspicion and dread that the Bush Administration makes its headlong rush towards war in Iraq – and Fahrenheit 9/11 takes us inside that war to tell the stories we haven’t heard, illustrating the awful human cost to U.S. soldiers and their families.

The Corporation, Mark Achbar, Jennifer Abbott, and Joel Bakan, 2003

The Corporation, Mark Achbar, Jennifer Abbott, and Joel Bakan

Provoking, witty, stylish and sweepingly informative, THE CORPORATION [2003, 145 minutes] explores the nature and spectacular rise of the dominant institution of our time. Part film and part movement, The Corporation is transforming audiences and dazzling critics with its insightful and compelling analysis. Taking its status as a legal “person” to the logical conclusion, the film puts the corporation on the psychiatrist’s couch to ask “What kind of person is it?” The Corporation includes interviews with 40 corporate insiders and critics – including Noam Chomsky, Naomi Klein, Milton Friedman, Howard Zinn, Vandana Shiva and Michael Moore – plus true confessions, case studies and strategies for change.

Along with the groundbreaking 145-minute theatrical version of the film, the two-disc DVD has eight hours of never-before-seen footage. In addition to two commentary tracks, deleted scenes, and Q’s-and-A’s, 165 new clips and updates are sorted “by person” and “by topic.” Get the details you want to know on the issues you care about. Then, check out the web links for follow-up research and action.

A People’s History of the United States, Howard Zinn, 4 February 2003

A People’s History of the United States, Howard Zinn, 2003

“It’s a wonderful, splendid book—a book that should be read by every American, student or otherwise, who wants to understand his country, its true history, and its hope for the future.” —Howard Fast, author of Spartacus and The Immigrants

“[It] should be required reading.” —Eric Foner, New York Times Book Review

Library Journal calls Howard Zinn’s iconic A People’s History of the United States “a brilliant and moving history of the American people from the point of view of those…whose plight has been largely omitted from most histories.” Packed with vivid details and telling quotations, Zinn’s award-winning classic continues to revolutionize the way American history is taught and remembered. Frequent appearances in popular media such as The SopranosThe SimpsonsGood Will Hunting, and the History Channel documentary The People Speak testify to Zinn’s ability to bridge the generation gap with enduring insights into the birth, development, and destiny of the nation.

Bill Bigelow, “A People’s History, A People’s Pedagogy,” Zinn Education Project.

Democracy Now!, “Shows Featuring Howard Zinn.”

Bob Herbert, “A Radical Treasure.” The New York Times. 30 January 2010.

Bowling for Columbine, Michael Moore, 2002

Bowling for Columbine, Michael Moore

“Bowling for Columbine” [2002, 119 minutes] is an alternately humourous and horrifying film about the United States. It is a film about the state of the Union, about the violent soul of America. Why do 11,000 people die in America each year at the hands of gun violence? The talking heads yelling from every TV camera blame everything from Satan to video games. But are we that much different from many other countries? What sets us apart? How have we become both the master and victim of such enormous amounts of violence? This is not a film about gun control. It is a film about the fearful heart and soul of the United States, and the 280 million Americans lucky enough to have the right to a constitutionally protected Uzi.

“Bowling for Columbine” was the first documentary film accepted into competition at the Cannes Film Festival in 46 years. The Cannes jury unanimously awarded it the 55th Anniversary Prize. From a look at the Columbine High School security camera tapes to the home of Oscar-winning NRA President Charlton Heston, from a young man who makes homemade napalm with The Anarchist’s Cookbook to the murder of a six-year-old girl by another six-year-old, “Bowling for Columbine” is a journey through America, and through our past, hoping to discover why our pursuit of happiness is so riddled with violence.

Muckraking!: The Journalism That Changed America, edited by Judith and William Serrin, 1 June 2002

Muckraking!: The Journalism That Changed America, edited by Judith and William Serrin, 2002

In collecting the kind of reportage that all too rarely appears in this age of media triviality and corporate conglomeration,Muckraking! documents an alternative journalistic tradition, one marked by depth of vision, passion for change, and bravery. From the Stamp Act to the abolition movement to the Vietnam War, from the fight against patent medicines to the elimination of labor spies, from the integration of baseball to the safety of government atomic workers, and from putting people in jail to getting them out, this book illustrates the great journalism that has made America a better country.

With more than 125 entries that range across three centuries,Muckraking! brings together the greatest moments of American journalism. Supplying historical context and critical commentary, the book also includes a selection of influential photographs and illustrations. By turns compelling and shocking, Muckraking! is an anthology for anyone who feels passionate about the heights that journalism can climb or its ability to illuminate the darkest depths.

At the Hands of Persons Unknown: The Lynching of Black America, Philip Dray, 8 January 2002

At the Hands of Persons Unknown: The Lynching of Black America, Philip Dray, 2002

Philip Dray, At the Hands of Persons Unknown: The Lynching of Black AmericaThis extraordinary account of lynching in America, by acclaimed civil rights historian Philip Dray, shines a clear, bright light on American history’s darkest stain—illuminating its causes, perpetrators, apologists, and victims. Philip Dray also tells the story of the men and women who led the long and difficult fight to expose and eradicate lynching, including Ida B. Wells, James Weldon Johnson, Walter White, and W.E.B. Du Bois. If lynching is emblematic of what is worst about America, their fight may stand for what is best: the commitment to justice and fairness and the conviction that one individual’s sense of right can suffice to defy the gravest of wrongs. This landmark book follows the trajectory of both forces over American history—and makes lynching’s legacy belong to us all.

A review by Ta-Nehisi Coates“Strange Fruit”:

“If you now find yourself obsessed, in the wake of September 11, with the possibilities of other heinous acts, if you feel like a target for zealotry and extremism, if you are now doubting your government’s ability to protect you, then you are getting an idea of what it has felt like to be African-American for a good part of this country’s history.

Those parallels, and the feeling of dread, and their lingering influence on black Americans’ attitudes towards police and other authorities, are dramatically evoked in a new book by Philip Dray, At the Hands of Persons Unknown. The book is a thorough history of mob violence directed against African-Americans over nearly a century after the end of slavery, starting in 1886 and not truly ending until 1964, when the last known mob-directed lynching occurred with explicit assistance and approval from local police officials.

Dray has created a complex portrait of an American—particularly Southern—tradition of publicly murdering African-Americans, drawing on documents collected at the Tuskegee Institute known as the Lynching Archives. The typical lynching started with a fabricated report of a white woman ravished by a black man. A mob usually gathered and some previously anonymous black male was put to death in some excruciating way, thus restoring the honor of the befouled dame.”

Nickel and Dimed: On (Not) Getting By In America, Barbara Ehrenreich, 8 May 2001

Nickel and Dimed: On (Not) Getting By In America, Barbara Ehrenreich, 2001

Our sharpest and most original social critic goes “undercover” as an unskilled worker to reveal the dark side of American prosperity.Millions of Americans work full time, year round, for poverty-level wages. In 1998, Barbara Ehrenreich decided to join them. She was inspired in part by the rhetoric surrounding welfare reform, which promised that a job — any job — can be the ticket to a better life. But how does anyone survive, let alone prosper, on $6 an hour? To find out, Ehrenreich left her home, took the cheapest lodgings she could find, and accepted whatever jobs she was offered. Moving from Florida to Maine to Minnesota, she worked as a waitress, a hotel maid, a cleaning woman, a nursing-home aide, and a Wal-Mart sales clerk. She lived in trailer parks and crumbling residential motels. Very quickly, she discovered that no job is truly “unskilled,” that even the lowliest occupations require exhausting mental and muscular effort. She also learned that one job is not enough; you need at least two if you int to live indoors.Nickel and Dimed reveals low-rent America in all its tenacity, anxiety, and surprising generosity — a land of Big Boxes, fast food, and a thousand desperate stratagems for survival. Read it for the smoldering clarity of Ehrenreich’s perspective and for a rare view of how “prosperity” looks from the bottom. You will never see anything — from a motel bathroom to a restaurant meal — in quite the same way again. Tomgram: Barbara Ehrenreich, On Americans (Not) Getting By (Again): Nickel and Dimed (2011 Version): On Turning Poverty into an American Crime. TomDispatch, 9 August 2011.

Fast Food Nation: The Dark Side of the All-American Meal, Eric Schlosser, 17 January 2001

Fast Food Nation: The Dark Side of the All-American Meal, Eric Schlosser, 2001

Michiko KakataniThe New York Times, 30 January 2001: Eric Schlosser’s compelling new book, ”Fast Food Nation,” will not only make you think twice before eating your next hamburger, but it will also make you think about the fallout that the fast food industry has had on America’s social and cultural landscape: how it has affected everything from ranching and farming to diets and health, from marketing and labor practices to larger economic trends….

He argues that ”the centralized purchasing decisions of the large restaurant chains and their demand for standardized products have given a handful of corporations an unprecedented degree of power over the nation’s food supply,” and that as ”the basic thinking behind fast food has become the operating system of today’s retail economy,” small businesses have been marginalized and regional differences smoothed over. A deadening homogenization, he writes, has been injected into the country and increasingly the world at large….

He has…done a lot of legwork, interviewing dozens of fast food workers, farmers, ranchers and meatpackers in an effort to trace the snowballing effect that fast-food production methods have had on their work.

The resulting book, which began as a two-part article in Rolling Stone magazine, is not a dispassionate examination of the subject but a fierce indictment of the fast food industry. Mr. Schlosser contends that ”the profits of the fast food chains have been made possible by losses imposed on the rest of society,” including a rising obesity rate and an increase in foodborne illnesses (most notably, those caused by the E. coli O157:H7 bacteria, whose spread has been facilitated by the growing centralization of the meat production process).